c.Luna

Architects: Willy Müller Architects
Location: Mercabarna, Sant Boi de Llobregat, Barcelona, Spain
Principal in Charge: Willy Müller
Associate Architect: Frédéric Guillaud
Project Team: Caterina Morna,Rupert Maurus (modelos 3D), Isabella Pintani, Valeria Santoni, Bruno Louzada, Francisco Villeda, Iris cantante, Marco Loperfido, Mara Cascais, Sabine Bruinink, Mario Perez Botero
Collaborators: Sérgio Pinto, Ricardo Amaral, Joana Lagès, Anne-Irène Valais, Christof Larbig, Jean-baptiste Scharffhausen, Deborah Schor, Jetske Kox, Andre Mota, Andres Ferner, Kelly Hendricks, Christian Lasch, Martin Ober-Hascher, Anja Summermatter, Kelly Klein, Gilda Camacho, Sérgio Ramos, Elke Gall
Structure Consultant: Area 5
Contractor: Iconsa
Project year: 2005/2008
Constructed Area: 15,000 sqm
Model Photographs: Adria Goula Sarda
Photographs: Jordi Puig, Ricardo Loureiro

Mercabarna has opened the new building for the flower market Mercabarna-Flor, an innovative market for flower, plant and accessory wholesalers. The market aims to become one of the principal markets in Catalonia and the rest of Spain, and a reference for facilities on European level.

The project of the market maintains in its exterior façade the archetypical image of traditional markets, in which the roof turns into the real protagonist, like an icon of public architecture. The roof of the new market consists of a combination of folds between the floor, the wall and the roof, dissolving those elements to create entrances, loading zones or protected areas around the entire perimeter of the building. Its analogy with a shell gives the building an organic character that is associated with the activity and movement that is happening on the inside.

While the roof is the big integrating element of this market, in the interior three conceptually different markets are located each of them with its own specific characteristics and logistic and technical conditions, according to the product on sale.

One part is meant for the Cut Flower Market, with modern industrial cooling systems, where the temperatures can be maintained between 2˚C and 15˚C, since the product has a fast turn over with a selling time of only three days.

On the other end of the complex the Plant Market is located, designed with heating systems with a radiant industrial floor, one of the biggest in Europe with 4000m². It has passive cooling systems that introduce humidity, which guarantee that the temperatures will never be below 15˚C, or above 26˚C, especially designed for the needs of this product that requires more selling time, about 15 days. This means that besides being a vending zone, this sector is also a storage zone or greenhouse during this period of time.

Finally in the middle of these two opposite sector the Accessory Market is located, an especially delicate sector, because of its elevated fire risk, due to fact that they work with dried flowers and that the sale requests a considerable storage area. This subsector has especially been designed to detect and extinguish fires, based on the experience that in a traumatic way forms part of the history of the Market, which caught fire and was destructed in the year 2001.

The complex also includes 500 parking spaces, a loading zone, a gastronomic restaurant, which has the capacity to turn into a reference amongst the offer on the highway of Castelldefels, an office zone and two florist education centers and in addition a multipurpose space for events.

From the point of view of location this building is framed within a series of singular operations with a marking architectonic character, which are being carried out between Plaza España and the new terminal of the Airport, like the works for the Fira de Barcelona (Fair of Barcelona) by Toyo Ito, The Hesperia Tower by Richard Rogers or the new international terminal by Ricardo Bofill.

The building claims to transmit an iconic value that is marking its public use. A skin has been designed that besides its formal language and its special character based on folds, expresses several characteristics of identity related to the activities of this sector. Following this concept, the big zinc roof that covers the whole market is designed with parallel linear geometries with different tones in a nonsymmetrical way, imitating the aerial view of the cultivated flower fields, marked by a big frame with a multitude of colors that descends and rises to organize entrances along the building, a distinct movement and graphic image that is in line with this Flower Market.

Architects: AK2
Location: Bratislava, Slovakia
Designers: Andrea Klimková, Peter Kručay
Project Year: 2008
Site Area: 5,418 sqm
Construction Area: 9,271 sqm
Photographs: Andrea Klimková, Ľubo Stacho

Einsteinova Road is probably the most frequented artery in Bratislava, situated misfortunately, like a big cut through Petržalka town quarter. But some architects show us it is possible to refine such a busy enviroment. The new RELAXX Sport Centre enters the rush locality, harmonizes and directs the noise and chaos. This house is like a sculpture symbolizing the beauty of restlessness and the poetics of velocity.

Long awaited final look of the building that stands in the row of previous experiments in designing commercial architecture of high standard design on the narrow and complicated plots between the highway ring of the city and the old train railway is visible to the panoramatic views on the right bank of the Danube river. The tension to produce a piece of contemporary architecture was strong also due to the fact the adjacent Atrium building was a building of the year in local architectural competitions. The reply to this challenge is successful in providing a smart and light weighted version of the sport and wellness centre that seemingly contrasts the gravity rules. Standing on naked concrete legs and being still in a frozen movement of its elevated horizontal body the objects plays a role of a new attractor to the site. It offers two way views - both to its unusual form wrapped in metallic skin and from its inner wellness zones and swimming pools situated on elevated levels outside towards the historical panorama of the city on the oher bank of the river. Difficult situation ended up in brave architectural gesture.